20.08.2015 / Venoge Festival
UB40 | Babylon Circus

Venue
Venoge Festivalwww.venogefestival.ch
Tickets:
www.venogefestival.ch/tickets
UB40

On 2nd September, 2013, UB40 will release their new album ‘Getting Over The Storm’, the reggae stars’ 20th studio album, and their first since 2010’s ‘Labour of Love IV’. Like many of UB40’s previous albums, the group’s original material is complimented by a smattering of cover versions and interpretations. Interestingly, amongst the five original UB40 songs, the covers recorded for ‘Getting Over The Storm’ were originally written and/or recorded by country music artists. Knowing that country music is loved by Caribbean audiences, UB40’s sax player Brian Travers said, “We’ve all spent a lot of time in Jamaica, and country music is very much part of the fabric. It’s an honest music, just like reggae. The two genres really sit together well.”
www.ub40.co.uk
BABYLON CIRCUS:

The two singers David and Manu have known each other since high school. It was the late nineties in Roanne in central France and what else was there to do in a small town in decline than to hang out and smoke joints, watch the lorries go by on the main road and dream of being somewhere else? No mention of Babylon Circus back then, just the Stones, Bob Marley, and The Clash. They couldn’t even make it to gigs by Bérurier Noir, OTH and La Mano Negra. It’s worth pointing out that although they never came to blows over music, Saint-Etienne-born Manuel Nectoux had been surrounded by reggae from an early age and made regular trips to see his father, who lived in the Jamaican part of Hackney in London, while David Baruchel was born in Grenoble and listened to the same music as his mum and her little brother, whom David calls his “substitute father”. The non-conformist uncle was frontman for various alternative punk bands, had lots of experience of smoky bars and derelict factories, and took David as a singer and guitarist on a busking expedition to Lille in the late eighties. Early, you say? Not for someone whose mum gave him his first 45-rpm single Argent Trop Cher/Au Coeur de la Nuit by Téléphone at the age of five, before he started to worship his two holy trinities: the Stones/The Clash/The Police on the one hand and Renaud/Higelin/Gainsbourg on the other. As for Manu, he got two Bob Marley & the Wailers cassettes at the age of 10 and they sealed his fate. He built up a personal pantheon with, at the top, the great Bob’s song Punky Reggae Party about the contemporary punk bands during his London exile in 1979. Never stop.
www.babyloncircus.net
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